PANDA AUDIO FUTURE IMPACT BASS SYNTH PEDAL WITH BOX
$390.00
Barely used , this pedal is the best bass synth you can get these days. Still with original box , works like new and sounds unreal. The Future Impact v3 is an incredibly versatile pedal and the range of sounds it is capable of producing is quite staggering. In addition to producing synthesizer sounds such as basses, leads and pads, it can function as an octaver, chorus, flanger, phaser, distortion, envelope filter, traditional wah-wah, tremolo, reverb, etc. and even has a built-in tuner. As such, it can potentially replace a whole pedalboard of dedicated single-effect pedals. With its very powerful signal processor it is able to replicate the various oscillator, filter, amplifier and envelope generator blocks found in classic synthesizers. In addition, it contains signal processing blocks more traditionally used for processing the sound of an instrument such as a harmonizer block and audio effects such as chorus, distortion and EQ. These architectures complement each other in a very flexible way. While its hardware is identical to that of the Future Impact I and it is capable of hosting all the same sounds, the new software provides practically unlimited new possibilities for sound designers and players: With the aid of the four Flexi Controllers, the flagship feature of the Future Impact v3, the parameters of a sound can be altered in real time using a range of control sources (LFOs, envelopes, etc.) all under the full control of the player: There are 10 new LFOs – including saw, square, triangle and sample-and-hold types The filter and volume envelopes can be configured to be full ADSR The Future Impact v3 is not restricted to being used only with bass – it can be configured for optimal performance with bass, guitar, keyboard or the AKAI EWI Unlike on the original FI, the three effects blocks (equalizer, distortion and chorus) can now be used simultaneously There is an oriental scale tuning for EWI users An online patch sharing application provides hundreds of patches shared by the community. Any of the 99 user programs can be edited by the user on a desktop computer editor (Windows and Mac OS X versions are available). Programs can be saved, loaded and archived on the computer through the MIDI connectors. A free library software will be downloadable from our web page, and a sound program sharing service for the user community. Software updates can be uploaded into the FI through MIDI IN. While the FI contains all the basic features listed here at the time of the product launch, software updates will be not only bugfixes, but new features will be implemented, partly on requests and ideas of users. These updates will be free of charge for all registered FI owners. Since FI includes a full featured analog modelling synthesizer, it is possible to use it as a monophonic synthesizer module, driving it from a keyboard controller or a computer through MIDI IN.
Related products
Rare Endangered Audio Research AD4096 MKII Analog Delay
-
A super rare version 2 of the already rare EAR Ad4096. Has been a staple on my board for years but I have recently downsized and doesn’t fit any longer. Took me ages to find one and has been the best delay I have ever used. insanely good. It works with both instrument and line level applications, meaning you can use it for guitar, keyboards, and even pro-audio mixing. The new Mix knob allows you to fade between dry and wet signals – perfect for dialing in just the right amount of delay, or capturing the wet only sound for a mix buss. The Loop jack allows you to add effects inside the delay loop. This means if you put a pitch shifter pedal inside the loop, every time the repeat goes around the loop, it will be transposed again and again. You can even add another AD4096 mk2 (or your old AD4096) inside the delay loop for a multi-tap delay sound. The bypass switch is now buffered to allow for delay tails and looping, and to prevent bypass clicking. The way the bypass switch works is programmed by two of the controls on the DIP switch on the back of the pedal. The Infinity Mode you know and love can now be used as to get the “sound on sound” when using the TAILS DIP switch. The Filter switch applies a fixed high pass filter to the incoming signal before it passes to the delay loop to cut out muddy bass frequencies. Use the Clear dip switch to cut even more low frequency. Expression pedal inputs are provided for the Time, Rate, Depth, Mix and Repeats controls, allowing you to bring life to your performance, and do some really interesting things, including real-time analog pitch bending that sounds like tape warble! An upcoming affordable companion pedal will allow you to store and recall tempos for the delay time through the tap tempo input. You’ll also be able to stay lock-step with your DAW at a precise BPM. You can also send click track from your DAW to the Clock input on the delay pedal. To top it all off, this hand-made, through-hole component, all-analog pedal will have beautiful colored rocker switches and will be housed in a box designed by Endangered Audio Research and handmade locally in the mountains of Asheville, North Carolina. Also, the custom-molded unique rectangle light lens will pulse with the tempo of the delay with a specially-selected LED that looks like a soft white incandescent bulb. FEATURES Knobs: Time – Up to 800ms of delay time Mix – Fades between wet and dry signals Repeats – Controls the amount of feedback in the delay line Depth – Controls the amount of modulation in the delay line Rate – Controls the speed or ratio of the modulation Voice – Adds the AD4096 “ECHO” voice as an independent sub mix that allows some incredibly unique mixing options for the voices. Rocker Switches: Feedback – Switches the feedback loop of the delay line out for many unique effects, pitch bends and chorus without delay Filter – Applies a high-pass filter to the signal as it enters the delay loop (not within the delay loop). Dry signal is unaffected by the filter. Infinity – Turns sound-on-sound infinitely sustaining delay mode on or off. Multitap – sends both BBD outputs to the Repeats and Mix similar to a multi head tape delay. Footswitches: Bypass – Buffered bypass switch. The switch is buffered to allow delay tails and to prevent the dreaded true-bypass clicking. The switch is also softer than a true-bypass switch and smooth and easy to switch. Expand – Soft switch that increases Repeats to 100% at a rate determined by the delay time. This level can be controlled by the Mix. Tempo – Tap Tempo footswitch with ratios Jacks: Input – Audio in Output – Audio out Modulation Rate Expression Pedal – Controls the modulation rate or ratio remotely Modulation Depth Expression Pedal – Controls the modulation depth remotely Clock Input – Accepts external clock signals to sync the delay time Time Expression Pedal – control delay time remotely Repeats Expression Pedal – control repeats remotely Loop – Use an insert cable to patch the delay line through other effects Mix Expression Pedal – control the effect mix remotely Power – Requires industry standard Tip Negative 9VDC 115mA. Power supply not included. Note: When using expression pedals, the control knob on the pedal can be used to scale the range of the expression pedal. DIP Switches: Delay Ratio – programs one of four delay ratios Delay Ratio – programs one of four delay ratios Mod Ratio – Switches the Modulation Rate control between varible and ratio mode Offset – this will offset the modulation waveform relative to the delay time Tails – On/Off Clear – Intensifies the low frequency cut when using the Filter Note: – the two delay ratio switches are used in combination to program tempo ratios 1:1 Quarter Note 3:4 Dotted Eighth 1:3 Eighth Note Triplet 2:3 Quarter Note Triplet Light: Rectangular incandescent-looking white light that indicates on/off state as well as blinking the delay tempo Pedal Dimensions L 162mm (6 1/4″) W 154mm (6″) H 73mm (2 7/8″)
Fulltone Fulldrive 2 MOSFET Overdrive Pedal
-
Great American hand made built pedal , very clean and perfectly working. Housed in a beautiful powder coated Blue 16ga. steel enclosure, the dual-channel Full-Drive 2 Mosfet gives you the best of both worlds. The first channel is the Overdrive Mode, capable of clean boost or non-compressed overdrive or choose light to medium softer overdrives all while retaining your guitar’s original tone. The Tone knob is a very effective presence control that can smooth out or add upper harmonics. The second channel is the “Boost Mode” with its own separate distortion control for medium to higher gains with a more singing violin-like sustain! One mini-toggle lets you choose between a “Vintage” FD2 sound with mid-heavy tones that cut through the mix and “FM (flat-mids)” for a more natural, transparent sound that works awesome with a Strat’s neck pickup. The other mini-toggle lets you choose between Mosfet and Normal clipping modes. Normal mode is even more asymmetrical, sweeter and more open, with no “blanket” over the sound. And, of course, the FD2-Mosfet features super-bright LEDs and Fulltone’s exclusive “no-thump/no-pop” True Bypass switches. We are the first to offer a switchable “Boost” Channel in an overdrive and the first only to manufacture our own Super-Duty 3PDT footswitch allowing True-Bypass plus LED
Electro Harmonix Big Muff “Frontone Era” with Wooden Box
Rare Mu-tron Green Octavider Pedal with original box
Very rare and sought after green (version 3) mu-tron octavider pedal with the original box in perfect condition. The OCTAVIDER creates a thick analog octave-down and a fuzzy ring modulated octave-up tone , in a pedalboard-friendly size and powered by industry-standard 9V DC. The OCTAVIDER pairs amazingly well with the Micro-Tron III and tracks steady on guitar, bass, keyboards and horns. Turn your instrument into a fat monophonic synthesizer. The Mu-Tron OCTAVIDER makes the full, harmonically rich option of “playing in octaves” available to all horn and stringed instrument players. This live effect is created by newly developed circuitry that analyzes the original signal and “pairs” it with the note one octave below, matching tone color and dynamics over an exceptionally wide range. The unique “stabilization” circuit (patent pending) enables the Mu-Tron OCTAVIDER to “lock into” the musical tone and sound a simultaneous sub-octave with accuracy that is not found in any other device. An important advance in electronic music technology, the OCTAVIDER has the same quality, ruggedness, and reliability that makes Mu-Tron the first choice of professional musicians. The RINGER Provides multiple effects of distortion, extra note generation, and a kind of “octave up” effect. RINGER effect is added to output, regardless of MIX. The more “pure” the instrument tone, the stronger the “octave up” effect. For the strongest “octave up”, turn MIX full down to eliminate the originally played register.STRINGED INSTRUMENTS: neck pick-up tone down, volume up full. (GUITAR, play from tenth fret up on all strings.) Two notes played simultaneously will beat with each other, producing “extra” notes. Try parallel fourths, fifths, or other simple chords. MIX full up.WIND INSTRUMENTS: play with clear “round” tone. The OCTAVIDER can be used successfully with many other devices, but the OCTAVIDER must be the first to receive the signal from the instrument. The OCTAVIDER followed by a Micro-Tron III or a Mu-Tron BI-PHASE are especially effective. Features: The ability to preserve dynamics and harmonic content of the original signal in the sub-octave. A stabilization circuit that “locks into” all single-voiced signals. A tone color control for sub-octave. A ringer circuit for harmonic emphasis of upper tones, and special multi-note effects. A novel mixing circuit with BASS ONLY switch for extended range and dramatic effects. Auxiliary impedance-compensated output. LED (light emitting diode) indicators to show operating status of effects. 89V DC powered in rugged Mu-Tron enclosure. Controls: Mix controls the mix between the direct signal and the effect signal Tone (Lo-Hi) controls the tone Ringer (On/Off) adds slight octave up and fuzz tone Stabilize (On/Off) provides note tracking stability Bass Only (On/Off) takes out the input signal Specifications: 1/4″ Input Jack 1/4″ Output Jack 9V DC Weight: 1 lbs Dimensions: 4.75″ x 2.5″ x 2.25″
PETE CORNISH DB-1 BASS DRIVE PEDAL WITH BOX AND MANUAL – AS NEW
Rare and barely used BD-1 Bass Drive Battery Free Pedal made by Pete Cornish , with Original Box and manual. The BD-1™ is not a variant of any existing product but a completely new and original design. Initially designed for Bass Guitar, the BD-1™ has also proved very popular with Baritone Guitars and dropped tuned Guitars when heavy overdrive is required at the lower frequencies of these instruments. With Germanium components for added musicality this new design features full Bottom-End retention and is flat down to below the bottom B on five string basses. The tone controls are very powerful and feature an active boost and cut with a combined range of 34dB at maximum settings. Being active, the two tone bands can be both cut and boosted as desired with the zero or neutral point being 12 o’clock on each control knob. I have included a second linear boost stage after the tone circuit to compensate for any reduction in overall volume when the tones are in “cut” mode. The benefits of this active tone circuit, compared to the usual passive (Cut only) tone circuit is that the two bands are completely independent and there is no interaction between the Bass and Treble tone controls. An output Master Volume is included to allow for perfect matching between bypassed and overdriven and EQ’d signal level and there is plenty of signal headroom available to overdrive amp inputs if required. My well established Class A input buffer and radio frequency suppressor is, of course, included and the output buffer impedance is low to easily drive long cables or other loads without loss of signal or tone. TECHNICAL SPECIFICATIONS: Overall boost with Gain = 100% and Volume = 100% is +55 dB {Reference: input = -52dBm(V) and output = +3dBm(V)} Overall boost with Gain = 0% and Volume = 100% is +19 dB {Reference: input = -16dBm(V) and output = +3dBm(V)} The above with Bass and Treble set to 50% (Neutral point). Bass Control range +16/-13dB @ 30Hz Treble Control range +12/-18dB @ 3KHz Maximum signal output with Volume 100% is +10dBm(V)/ 2.5vrms/6v Peak to Peak (at clip point) FEATURES: High Impedance RFI rejecting input and bypass buffer. Each unit is hand built, wired and tested by Pete, Lynda and Mingus Cornish. Housed in a Rugged Die-cast box with easy to set Number Knobs. Heavy Duty all-metal footswitch with Hi-Brite LED. Dimensions: 145 X 95 X 49 mm
Rare Wrought Iron Thruster N1 Handmade Germanium Fuzz – US boutique pedal
Endangered Audio Research AD4096 Analog Delay With Original Box
-
Up for sale is a Endangered Audio Research AD4096 Analog Delay with the original box. Easily the best delay pedal you can put your hands on. This very rare and no longer made pedal is incredible warm yet well defined analog delay capable of up to 400 ms of echo repeats. The pedal has several unique features such as: 1. Two unique delay lines: “Delay” which is full and warm and “Echo” which is thinner. Of course you can mix hem together since each of then has their own mix knob. 2. infinity switch which enables the pedal to keep a small part of the delay to echo forever for a a reverb style effect. Amazing if you love shoegazing. 3. self-oscillation Foot switch – The left footswitch is a momentary switch which calls upon an auto oscillation, based on the settings of your delay time and your repeats (Depth). The pedal is in very good shape, some cosmetic blemishes but nothing serious, it takes 9V power (Don’t give it more!)
PRICE REDUCED – Sovtek Tall Font Big Muff Fuzz Pedal
Amazing tall font big muff made by sovtek in Russia in the 90s, the real deal. It’s a great sounding one, i have had a few and this one is a tone monster . Works like new and it’s in remarkable condition for is age. All original , just missing battery lid like 99.99% of them
PRICE REDUCED – Amt Slap Bass Overdrive and Compressor Pedal with box
Rare and discontinued Russian pedal.
Comes with original box.
The Slap Bass Compressor Pedal is a specialized effect designed for bassists who use funk and slap techniques.
It instantly provides the compression, depth, and snappy attack this playing style requires.
It can be used by non-slap players for distortion with its adjustable drive level.
It’s also an amazing tool for guitar players, allowing them to plug directly into their recorder and lay down a quick bass track.
Built-in cabinet emulation circuitry ensures that it sounds equally good whether run through an amp or used for direct recording.
FEATURES Gives your bass a tone perfect for slap Provides compression, depth, and snappy attack Built-in cab emulation
SPECIFICATIONS Dimensions: 3-1/2″ W x 2-4/5″ H x 4-2/5″ L (90mm. x 72mm. x 112mm.) Weight: 15 oz. Control: Level, Low, High, Drive Jacks: Input, Output Power: DC 9V, 9V Battery or PSA (-) center Adapter
Crew Maniac Sound SVD-001 Guitar and bass overdrive pedal – Boutique Japanese Pedal
Rare boutique Handmade Japanese overdrive pedal. Works great for bass as well as guitar thanks to the bass boost. Works like new , and comes with the original power supply. Item Description CREWS MANIAC SOUND / SVD-001 The VVD-001 has a clean blend knob, which retain low end even when set to a fairly high gain. Works amazing on bass. With a 3 bands EQ that can boost and cut +/-12dB from the center click flat. This allows you to use it for everything ,from a slightly gainy tone to a full overdrive tubescreamer style . When bypassing, it passes through a buffer circuit, which keeps the tone clean. Can be used with 9-15V.
AKAI DEEP IMPACT BASS SYNTH PEDAL WITH BOX
Up for sale goes one of my favourite pedals ever made, the Akai SB1 Deep Impact Bass Synth. This 30 years old pedal is rare and extremely sought after. Muse, Primus, Jamiroquai, Boots collins are just a few of the bands and artists who have been using this magic bass synth. Has been a staple on my board for years but this guy need to be released into the wild again. Comes with manual, power supply and original box and is in mint condition. The box , condition and all the bits makes it extremely collectible.