Brand | Akai |
---|---|
Categories | bass pedals |
Condition | Good |
Made In | South Korea |
Model | UB1 |
Akai UniBass UB1 Bass Octave Overdrive pedal
$390.00
-
used but all original and fully functional , this akai uni bass is a really cool pedal. Solid, well built and with a lots of cool sounds. Input gain and output level controls are key. For a cool ring mod kind of sound keep the input gain very low and play several tones at once. The “down a forth” function creates power chords which are cool for a synthlead type sound. The “up a fifth” is also cool. It creates this cool decay sound as the signal fades. Great for increasing the range of any instrument or generator.
Related products
Rare Endangered Audio Research AD4096 MKII Analog Delay
-
A super rare version 2 of the already rare EAR Ad4096. Has been a staple on my board for years but I have recently downsized and doesn’t fit any longer. Took me ages to find one and has been the best delay I have ever used. insanely good. It works with both instrument and line level applications, meaning you can use it for guitar, keyboards, and even pro-audio mixing. The new Mix knob allows you to fade between dry and wet signals – perfect for dialing in just the right amount of delay, or capturing the wet only sound for a mix buss. The Loop jack allows you to add effects inside the delay loop. This means if you put a pitch shifter pedal inside the loop, every time the repeat goes around the loop, it will be transposed again and again. You can even add another AD4096 mk2 (or your old AD4096) inside the delay loop for a multi-tap delay sound. The bypass switch is now buffered to allow for delay tails and looping, and to prevent bypass clicking. The way the bypass switch works is programmed by two of the controls on the DIP switch on the back of the pedal. The Infinity Mode you know and love can now be used as to get the “sound on sound” when using the TAILS DIP switch. The Filter switch applies a fixed high pass filter to the incoming signal before it passes to the delay loop to cut out muddy bass frequencies. Use the Clear dip switch to cut even more low frequency. Expression pedal inputs are provided for the Time, Rate, Depth, Mix and Repeats controls, allowing you to bring life to your performance, and do some really interesting things, including real-time analog pitch bending that sounds like tape warble! An upcoming affordable companion pedal will allow you to store and recall tempos for the delay time through the tap tempo input. You’ll also be able to stay lock-step with your DAW at a precise BPM. You can also send click track from your DAW to the Clock input on the delay pedal. To top it all off, this hand-made, through-hole component, all-analog pedal will have beautiful colored rocker switches and will be housed in a box designed by Endangered Audio Research and handmade locally in the mountains of Asheville, North Carolina. Also, the custom-molded unique rectangle light lens will pulse with the tempo of the delay with a specially-selected LED that looks like a soft white incandescent bulb. FEATURES Knobs: Time – Up to 800ms of delay time Mix – Fades between wet and dry signals Repeats – Controls the amount of feedback in the delay line Depth – Controls the amount of modulation in the delay line Rate – Controls the speed or ratio of the modulation Voice – Adds the AD4096 “ECHO” voice as an independent sub mix that allows some incredibly unique mixing options for the voices. Rocker Switches: Feedback – Switches the feedback loop of the delay line out for many unique effects, pitch bends and chorus without delay Filter – Applies a high-pass filter to the signal as it enters the delay loop (not within the delay loop). Dry signal is unaffected by the filter. Infinity – Turns sound-on-sound infinitely sustaining delay mode on or off. Multitap – sends both BBD outputs to the Repeats and Mix similar to a multi head tape delay. Footswitches: Bypass – Buffered bypass switch. The switch is buffered to allow delay tails and to prevent the dreaded true-bypass clicking. The switch is also softer than a true-bypass switch and smooth and easy to switch. Expand – Soft switch that increases Repeats to 100% at a rate determined by the delay time. This level can be controlled by the Mix. Tempo – Tap Tempo footswitch with ratios Jacks: Input – Audio in Output – Audio out Modulation Rate Expression Pedal – Controls the modulation rate or ratio remotely Modulation Depth Expression Pedal – Controls the modulation depth remotely Clock Input – Accepts external clock signals to sync the delay time Time Expression Pedal – control delay time remotely Repeats Expression Pedal – control repeats remotely Loop – Use an insert cable to patch the delay line through other effects Mix Expression Pedal – control the effect mix remotely Power – Requires industry standard Tip Negative 9VDC 115mA. Power supply not included. Note: When using expression pedals, the control knob on the pedal can be used to scale the range of the expression pedal. DIP Switches: Delay Ratio – programs one of four delay ratios Delay Ratio – programs one of four delay ratios Mod Ratio – Switches the Modulation Rate control between varible and ratio mode Offset – this will offset the modulation waveform relative to the delay time Tails – On/Off Clear – Intensifies the low frequency cut when using the Filter Note: – the two delay ratio switches are used in combination to program tempo ratios 1:1 Quarter Note 3:4 Dotted Eighth 1:3 Eighth Note Triplet 2:3 Quarter Note Triplet Light: Rectangular incandescent-looking white light that indicates on/off state as well as blinking the delay tempo Pedal Dimensions L 162mm (6 1/4″) W 154mm (6″) H 73mm (2 7/8″)
Fulltone Fulldrive 2 V2 with box and manual
-
Fulltone
3Leaf Audio Doom2 Harmonic Fuzz with original box
-
One of the most sought after Bass Fuzz ever and for a good reason, it’s simply amazing. I have got another one and I can let this one go otherwise I would not sell this beauty. DOOM 2 is an original fuzz circuit that turns your input signal into something resembling the sawtooth wave of a vintage synthesizer. Unlike most fuzz-style circuits, DOOM 2 responds to your playing technique and retains note dynamics. Featuring a new addition to the circuit which implements an octavia-style ring-mod (YOU’RE) The other addition is a full-fledge low-end loving fuzz which resembles a more traditional fuzz (YOUR). Handmade in Seattle, USA. Comes with original Box and Manual
SOUNDBLOX 2 MANTA BASS SYNTH PEDAL WITH BOX
PETE CORNISH DB-1 BASS DRIVE PEDAL WITH BOX AND MANUAL – AS NEW
Rare and barely used BD-1 Bass Drive Battery Free Pedal made by Pete Cornish , with Original Box and manual. The BD-1™ is not a variant of any existing product but a completely new and original design. Initially designed for Bass Guitar, the BD-1™ has also proved very popular with Baritone Guitars and dropped tuned Guitars when heavy overdrive is required at the lower frequencies of these instruments. With Germanium components for added musicality this new design features full Bottom-End retention and is flat down to below the bottom B on five string basses. The tone controls are very powerful and feature an active boost and cut with a combined range of 34dB at maximum settings. Being active, the two tone bands can be both cut and boosted as desired with the zero or neutral point being 12 o’clock on each control knob. I have included a second linear boost stage after the tone circuit to compensate for any reduction in overall volume when the tones are in “cut” mode. The benefits of this active tone circuit, compared to the usual passive (Cut only) tone circuit is that the two bands are completely independent and there is no interaction between the Bass and Treble tone controls. An output Master Volume is included to allow for perfect matching between bypassed and overdriven and EQ’d signal level and there is plenty of signal headroom available to overdrive amp inputs if required. My well established Class A input buffer and radio frequency suppressor is, of course, included and the output buffer impedance is low to easily drive long cables or other loads without loss of signal or tone. TECHNICAL SPECIFICATIONS: Overall boost with Gain = 100% and Volume = 100% is +55 dB {Reference: input = -52dBm(V) and output = +3dBm(V)} Overall boost with Gain = 0% and Volume = 100% is +19 dB {Reference: input = -16dBm(V) and output = +3dBm(V)} The above with Bass and Treble set to 50% (Neutral point). Bass Control range +16/-13dB @ 30Hz Treble Control range +12/-18dB @ 3KHz Maximum signal output with Volume 100% is +10dBm(V)/ 2.5vrms/6v Peak to Peak (at clip point) FEATURES: High Impedance RFI rejecting input and bypass buffer. Each unit is hand built, wired and tested by Pete, Lynda and Mingus Cornish. Housed in a Rugged Die-cast box with easy to set Number Knobs. Heavy Duty all-metal footswitch with Hi-Brite LED. Dimensions: 145 X 95 X 49 mm
Electro Harmonix Holy Grail Reverb with Wooden Box
Electro Harmonix White Finger Compressor with Wooden Box
-
In great condition , all original with manual and wooden box Just like its cousin the Black Finger, the White Finger yields transparent, long sustain that preserves attack. Two optocouplers (LED and lamp) offer distinctly different readings and uniquely varied compressions. The White Finger features multiple FETs instead of vacuum tubes, making it the affordable alternative. Main Features: LED optocoupler for a faster attack compression Lamp optocoupler for softer blooming compressor Quiet long sustains with transparent tones Pre-gain control lets you control how hard your instrument hits the compressor Sensitivity knob for control of how the compression will be hit Compression amount allows you to dial in the perfect ratio for your music Same compression theory as our professional NY-2A but uses FETs instead of tubes 40DC-100 power supply included
Rare Mu-tron Green Octavider Pedal with original box
Very rare and sought after green (version 3) mu-tron octavider pedal with the original box in perfect condition. The OCTAVIDER creates a thick analog octave-down and a fuzzy ring modulated octave-up tone , in a pedalboard-friendly size and powered by industry-standard 9V DC. The OCTAVIDER pairs amazingly well with the Micro-Tron III and tracks steady on guitar, bass, keyboards and horns. Turn your instrument into a fat monophonic synthesizer. The Mu-Tron OCTAVIDER makes the full, harmonically rich option of “playing in octaves” available to all horn and stringed instrument players. This live effect is created by newly developed circuitry that analyzes the original signal and “pairs” it with the note one octave below, matching tone color and dynamics over an exceptionally wide range. The unique “stabilization” circuit (patent pending) enables the Mu-Tron OCTAVIDER to “lock into” the musical tone and sound a simultaneous sub-octave with accuracy that is not found in any other device. An important advance in electronic music technology, the OCTAVIDER has the same quality, ruggedness, and reliability that makes Mu-Tron the first choice of professional musicians. The RINGER Provides multiple effects of distortion, extra note generation, and a kind of “octave up” effect. RINGER effect is added to output, regardless of MIX. The more “pure” the instrument tone, the stronger the “octave up” effect. For the strongest “octave up”, turn MIX full down to eliminate the originally played register.STRINGED INSTRUMENTS: neck pick-up tone down, volume up full. (GUITAR, play from tenth fret up on all strings.) Two notes played simultaneously will beat with each other, producing “extra” notes. Try parallel fourths, fifths, or other simple chords. MIX full up.WIND INSTRUMENTS: play with clear “round” tone. The OCTAVIDER can be used successfully with many other devices, but the OCTAVIDER must be the first to receive the signal from the instrument. The OCTAVIDER followed by a Micro-Tron III or a Mu-Tron BI-PHASE are especially effective. Features: The ability to preserve dynamics and harmonic content of the original signal in the sub-octave. A stabilization circuit that “locks into” all single-voiced signals. A tone color control for sub-octave. A ringer circuit for harmonic emphasis of upper tones, and special multi-note effects. A novel mixing circuit with BASS ONLY switch for extended range and dramatic effects. Auxiliary impedance-compensated output. LED (light emitting diode) indicators to show operating status of effects. 89V DC powered in rugged Mu-Tron enclosure. Controls: Mix controls the mix between the direct signal and the effect signal Tone (Lo-Hi) controls the tone Ringer (On/Off) adds slight octave up and fuzz tone Stabilize (On/Off) provides note tracking stability Bass Only (On/Off) takes out the input signal Specifications: 1/4″ Input Jack 1/4″ Output Jack 9V DC Weight: 1 lbs Dimensions: 4.75″ x 2.5″ x 2.25″
Endangered Audio Research AD4096 Analog Delay With Original Box
-
Up for sale is a Endangered Audio Research AD4096 Analog Delay with the original box. Easily the best delay pedal you can put your hands on. This very rare and no longer made pedal is incredible warm yet well defined analog delay capable of up to 400 ms of echo repeats. The pedal has several unique features such as: 1. Two unique delay lines: “Delay” which is full and warm and “Echo” which is thinner. Of course you can mix hem together since each of then has their own mix knob. 2. infinity switch which enables the pedal to keep a small part of the delay to echo forever for a a reverb style effect. Amazing if you love shoegazing. 3. self-oscillation Foot switch – The left footswitch is a momentary switch which calls upon an auto oscillation, based on the settings of your delay time and your repeats (Depth). The pedal is in very good shape, some cosmetic blemishes but nothing serious, it takes 9V power (Don’t give it more!)
Rare Wrought Iron Thruster N1 Handmade Germanium Fuzz – US boutique pedal
Rare Blue Fulltone BassDrive pedal – Serial 299
Original Fulltone Bassdrive from the first Run. These early ones have a blue casing like the FULLDRIVE , different knobs, a push pull comp cut instead of a switch and bass drive on a label instead of printed directly on the pedal. The pedal works flawless and has a few scratches on the outside. Serial number is #299.