Endangered Audio Research AD4096 Analog Delay With Original Box
$850.00
-
Up for sale is a Endangered Audio Research AD4096 Analog Delay with the original box. Easily the best delay pedal you can put your hands on. This very rare and no longer made pedal is incredible warm yet well defined analog delay capable of up to 400 ms of echo repeats. The pedal has several unique features such as: 1. Two unique delay lines: “Delay” which is full and warm and “Echo” which is thinner. Of course you can mix hem together since each of then has their own mix knob. 2. infinity switch which enables the pedal to keep a small part of the delay to echo forever for a a reverb style effect. Amazing if you love shoegazing. 3. self-oscillation Foot switch – The left footswitch is a momentary switch which calls upon an auto oscillation, based on the settings of your delay time and your repeats (Depth). The pedal is in very good shape, some cosmetic blemishes but nothing serious, it takes 9V power (Don’t give it more!)
Brand | endangered audio research |
---|---|
Categories | delay |
Condition | Good |
Made In | US |
Model | ad4096 |
Related products
Fulltone Fulldrive 2 MOSFET Overdrive Pedal
-
Great American hand made built pedal , very clean and perfectly working. Housed in a beautiful powder coated Blue 16ga. steel enclosure, the dual-channel Full-Drive 2 Mosfet gives you the best of both worlds. The first channel is the Overdrive Mode, capable of clean boost or non-compressed overdrive or choose light to medium softer overdrives all while retaining your guitar’s original tone. The Tone knob is a very effective presence control that can smooth out or add upper harmonics. The second channel is the “Boost Mode” with its own separate distortion control for medium to higher gains with a more singing violin-like sustain! One mini-toggle lets you choose between a “Vintage” FD2 sound with mid-heavy tones that cut through the mix and “FM (flat-mids)” for a more natural, transparent sound that works awesome with a Strat’s neck pickup. The other mini-toggle lets you choose between Mosfet and Normal clipping modes. Normal mode is even more asymmetrical, sweeter and more open, with no “blanket” over the sound. And, of course, the FD2-Mosfet features super-bright LEDs and Fulltone’s exclusive “no-thump/no-pop” True Bypass switches. We are the first to offer a switchable “Boost” Channel in an overdrive and the first only to manufacture our own Super-Duty 3PDT footswitch allowing True-Bypass plus LED
Electro Harmonix White Finger Compressor with Wooden Box
-
In great condition , all original with manual and wooden box Just like its cousin the Black Finger, the White Finger yields transparent, long sustain that preserves attack. Two optocouplers (LED and lamp) offer distinctly different readings and uniquely varied compressions. The White Finger features multiple FETs instead of vacuum tubes, making it the affordable alternative. Main Features: LED optocoupler for a faster attack compression Lamp optocoupler for softer blooming compressor Quiet long sustains with transparent tones Pre-gain control lets you control how hard your instrument hits the compressor Sensitivity knob for control of how the compression will be hit Compression amount allows you to dial in the perfect ratio for your music Same compression theory as our professional NY-2A but uses FETs instead of tubes 40DC-100 power supply included
MUSITRONICS MUTRON BI-PHASE PHASER WITH RARE TEMPLATES AND ORIGINAL FOOTSWITCH
A really amazing and rare piece of gear, made in the 70s by Musitronics in the 70s and in great condition. Comes with the original and extremely hard to find templates and the tap switch. All original beside a replaced knob (the sweep one). The Bi-Phase has plenty of control features, both internal and external, including the ability to control the sweep using the optional Opti-Pot optical foot pedal for wah-style monster phasing. The two independent sweep generators can be used singly or coupled with a choice of sine or square waves. Compared to other phaser pedals of the era such as the MXR Phase 90 and the Electro Harmonix Small Stone – both compact one pot compact units – the Bi-Phase is a complex behemoth. Like its legendary contemporaries, it sounded fabulous and distinctive, and its place in the pantheon of great guitar pedals was assured. However, its flexibility and myriad features, combined with exceptional sonic performance, meant it was destined to be far more than just a guitar pedal, earning the Bi-Phase a place in the rarefied realm of studio classics.
Crew Maniac Sound SVD-001 Guitar and bass overdrive pedal – Boutique Japanese Pedal
Rare boutique Handmade Japanese overdrive pedal. Works great for bass as well as guitar thanks to the bass boost. Works like new , and comes with the original power supply. Item Description CREWS MANIAC SOUND / SVD-001 The VVD-001 has a clean blend knob, which retain low end even when set to a fairly high gain. Works amazing on bass. With a 3 bands EQ that can boost and cut +/-12dB from the center click flat. This allows you to use it for everything ,from a slightly gainy tone to a full overdrive tubescreamer style . When bypassing, it passes through a buffer circuit, which keeps the tone clean. Can be used with 9-15V.
Electro Harmonix Big Muff “Frontone Era” with Wooden Box
Fulltone Fulldrive 2 V2 with box and manual
-
Fulltone
SONIC RESEARCH TURBO TUNER ST-200 STROBOSCOPIC PEDAL WITH BOX
Great condition and original box and manual for this America made stroboscopic tuner . A True Strobe Tuner in a Stompbox Format Super bright LED display readable in direct sunlight Pop-Free True Bypass Flexible Output: Muted output with quiet relay switching or signal passthrough (no mute) Chromatic and guitar/bass modes Fully programmable for alternate tunings and temperaments USB port for ease of customizing Extreme accuracy: ±.02 cents guaranteed Rugged die-cast aluminum case Dual power jacks
Rare Wrought Iron Thruster N1 Handmade Germanium Fuzz – US boutique pedal
Rare Blue Fulltone BassDrive pedal – Serial 299
Original Fulltone Bassdrive from the first Run. These early ones have a blue casing like the FULLDRIVE , different knobs, a push pull comp cut instead of a switch and bass drive on a label instead of printed directly on the pedal. The pedal works flawless and has a few scratches on the outside. Serial number is #299.
PETE CORNISH DB-1 BASS DRIVE PEDAL WITH BOX AND MANUAL – AS NEW
Rare and barely used BD-1 Bass Drive Battery Free Pedal made by Pete Cornish , with Original Box and manual. The BD-1™ is not a variant of any existing product but a completely new and original design. Initially designed for Bass Guitar, the BD-1™ has also proved very popular with Baritone Guitars and dropped tuned Guitars when heavy overdrive is required at the lower frequencies of these instruments. With Germanium components for added musicality this new design features full Bottom-End retention and is flat down to below the bottom B on five string basses. The tone controls are very powerful and feature an active boost and cut with a combined range of 34dB at maximum settings. Being active, the two tone bands can be both cut and boosted as desired with the zero or neutral point being 12 o’clock on each control knob. I have included a second linear boost stage after the tone circuit to compensate for any reduction in overall volume when the tones are in “cut” mode. The benefits of this active tone circuit, compared to the usual passive (Cut only) tone circuit is that the two bands are completely independent and there is no interaction between the Bass and Treble tone controls. An output Master Volume is included to allow for perfect matching between bypassed and overdriven and EQ’d signal level and there is plenty of signal headroom available to overdrive amp inputs if required. My well established Class A input buffer and radio frequency suppressor is, of course, included and the output buffer impedance is low to easily drive long cables or other loads without loss of signal or tone. TECHNICAL SPECIFICATIONS: Overall boost with Gain = 100% and Volume = 100% is +55 dB {Reference: input = -52dBm(V) and output = +3dBm(V)} Overall boost with Gain = 0% and Volume = 100% is +19 dB {Reference: input = -16dBm(V) and output = +3dBm(V)} The above with Bass and Treble set to 50% (Neutral point). Bass Control range +16/-13dB @ 30Hz Treble Control range +12/-18dB @ 3KHz Maximum signal output with Volume 100% is +10dBm(V)/ 2.5vrms/6v Peak to Peak (at clip point) FEATURES: High Impedance RFI rejecting input and bypass buffer. Each unit is hand built, wired and tested by Pete, Lynda and Mingus Cornish. Housed in a Rugged Die-cast box with easy to set Number Knobs. Heavy Duty all-metal footswitch with Hi-Brite LED. Dimensions: 145 X 95 X 49 mm
3Leaf Audio Doom2 Harmonic Fuzz with original box
-
One of the most sought after Bass Fuzz ever and for a good reason, it’s simply amazing. I have got another one and I can let this one go otherwise I would not sell this beauty. DOOM 2 is an original fuzz circuit that turns your input signal into something resembling the sawtooth wave of a vintage synthesizer. Unlike most fuzz-style circuits, DOOM 2 responds to your playing technique and retains note dynamics. Featuring a new addition to the circuit which implements an octavia-style ring-mod (YOU’RE) The other addition is a full-fledge low-end loving fuzz which resembles a more traditional fuzz (YOUR). Handmade in Seattle, USA. Comes with original Box and Manual